louise

Swedish. 21. Fangirl. Dancer. Dreamer. Film maker. Designer. Psycho. Wierdo.

There are years that ask questions and years that answer.

—Zora Neale Hurston, Their Eyes Were Watching God (via observando)

(via fishingboatproceeds)

witlovesyou:

A very unusual genetic color variation in white-tailed deer — rarer even than albinism — produces all-black offspring in that species which are known as “melanistic” or “melanic” deer.

(via punchoutmylumps)

sourcedumal:

raptorific:

Swear to god, some guys are terrified that girls are faking common interests to impress them and act really hostile towards anyone they even SUSPECT of doing such a thing

but then they turn around and fake a whole friendship in the hopes of getting sex out of girls, and get mad at them when it doesn’t work

and they super do not see the irony in that

image

(via albinwonderland)

you-wish-you-had-this-url asked: I've been seeing a lot of people talk about Gus sounding really pretentious in the movie, do you think he sounds pretentious?

fishingboatproceeds:

I mean, that scene is word-for-word from the book, so don’t blame the movie! :) Yes, Gus is super pretentious at the start of the story. it’s a character flaw.

Gus wants to have a big and important and remembered life, and so he acts like he imagines people who have such lives act. So he’s, like, says-soliloquy-when-he-means-monologue pretentious, which is the most pretentious variety of pretension in all the world.

And then his performative, over-the-top, hyper-self-aware pretentiousness must fall away for him to really connect to Hazel, just as her fear of being a grenade must fall away. That’s what the novel is about. That is its plot.

Gus must make the opposite of the traditional heroic journey—he must start out strong and end up weak in order to reimagine what constitutes a rich and well-lived life.

Basically, a 20-second clip from the first five minutes of a movie is not the movie.

(Standard acknowledgement here that I might be wrong, that I am inevitably defensive of TFIOS, that it has many flaws, that there’s nothing wrong with critical discussion, and that a strong case could be made that I should not insert myself into these conversations at all.)